Alex McQuilkin

ALEX MCQUILKIN

Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity in her videos, drawings, objects, and installations, through which she explores the construction of female identity in Western culture. She describes her work as “walking a really fine line, investigating the stereotyping and damning of women not directly through a male view, but as that view has been carefully woven into the social structure and internalized in women.” Best known for her videos, in which she plays the starring role, she mines teenage and Hollywood culture to reveal the destructive effects of this stereotyping. In Fucked (2000), her breakout piece, McQuilkin presents a sex-tape, of a sort. Her face tightly framed by the camera, she applies make-up while in the midst of the experience described by the video’s title, so hyper-focused on her image that she cannot let go.

Alex McQuilkin’s work has exhibited internationally since 2000. Her paintings, drawings, videos and sculptures explore themes such as the role of cultural aesthetics in defining female identity and the power structures embedded within artifice. Recent highlights include solo exhibitions in NY and Germany and group exhibitions at MoMA PS1, KW Institute in Berlin, Museo Reina Sofia in Madrid, and Centre Pompidou in Paris.  McQuilkin’s work has been reviewed in the NY Times, the Village Voice, FlashArt, Art Magazine, and elsewhere.  She received her MFA from New York University and is currently a professor of art at New York University.


Selected Works

Untitled (Woods), 2021flashe on paper mounted on panel40 x 60 in (101.6 x 152.4 cm)

Untitled (Woods), 2021

flashe on paper mounted on panel

40 x 60 in (101.6 x 152.4 cm)

Untitled (Abbeville Floral Pink), 2014flashe, pastel, digital print and archival adhesive on paper mounted on panel40 x 60 in. (102 x 152 cm.)

Untitled (Abbeville Floral Pink), 2014

flashe, pastel, digital print and archival adhesive on paper mounted on panel

40 x 60 in. (102 x 152 cm.)

Untitled (for Corrine), 2016flashe on paper on panel24 x 17 in. (61 x 43 cm.)

Untitled (for Corrine), 2016

flashe on paper on panel

24 x 17 in. (61 x 43 cm.)

Untitled (Blind Man’s Bluff), 2019flashe on paper mounted on panel40 x 30 in. (103 x 76 cm)

Untitled (Blind Man’s Bluff), 2019

flashe on paper mounted on panel

40 x 30 in. (103 x 76 cm)

Untitled (For Emily), 2014flashe, digital c-print , archival adhesive and tape on paper mounted on panel42 x 42 in.  (107 x 107 cm)

Untitled (For Emily), 2014

flashe, digital c-print , archival adhesive and tape on paper mounted on panel

42 x 42 in. (107 x 107 cm)

Once Upon a Time (12572), 2018flashe, digital print, tape and archival adhesive on paper mounted on panel22 x 22 in. (56 x 56 cm)

Once Upon a Time (12572), 2018

flashe, digital print, tape and archival adhesive on paper mounted on panel

22 x 22 in. (56 x 56 cm)

Untitled (Pink Lady with Flowers), 2021Flashe on paper on panel36 x 30 in. (91.4 x 76.2 cm)

Untitled (Pink Lady with Flowers), 2021

Flashe on paper on panel

36 x 30 in. (91.4 x 76.2 cm)

Untitled (Wainscott Floral Porcelain), 2017flashe on paper mounted on panel48 x 40 in. (122 x 102 cm.)

Untitled (Wainscott Floral Porcelain), 2017

flashe on paper mounted on panel

48 x 40 in. (122 x 102 cm.)

Untitled (Nouvelle Me), 2020flashe on paper on panel44 x 42 in (107 x 112 cm)

Untitled (Nouvelle Me), 2020

flashe on paper on panel

44 x 42 in (107 x 112 cm)


Exhibitions

Alex McQuilkin
Use What You Have To Make What You Need
October 22, 2022 - January 1, 2023

de boer, Los Angeles

Alex McQuilkin
What We Don’t Remember Lives In Us Forever
June 5 – July 10, 2021

de boer, Los Angeles


News



OVERWHELMING LIFE

By Ana Finel Honigman | April, 2006